Instead, use a low-pass filter with a very steep slope. This does two things. A treble boost will bring out that noise, clog up your mix, and make the guitar harsh. It’s power goes up to about 5-6 kHz, but after that it’s just noise. What? How can using a low-pass filter make something brighter? Well, let’s say you have a distorted guitar. So with that said, here are seven counterintuitive mixing techniques you can use to solve unconventional problems. Well, where there’s a will there’s a way. Sometimes the way is just a little less predictable. Or how do we make something sound brighter that doesn’t have much harmonic content above 7 kHz except hiss. Easy. But sometimes we face strange challenges - like how to get more bass in the kick without running out of headroom. Need more control of the source? Volume automation or compression. Need more midrange? Grab an EQ and boost the midrange. Most of the time there’s an obvious choice.
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